The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. H. P. Lovecraft
Folklorists have thoroughly studied the origins of mythology. An event can spontaneously generate a story from a combination of a culture’s anthropological or sociological preconceptions. In turn, a collection of these “mythemes” (Or mythological themes) can be collected in a variety of ways to tell whole stories that can be basis of the underpinnings of the entire community. If one reverses this, one understands the key to individual culture.
It can be mundane such as why wear white at weddings, or why one culture adores tattoos and another abhors them.
A recent story by Rashvinjeet S.Bedi of the Star/Asia News Network (Sunday, Jan 01, 2012) shows how a myth is created from random elements. In most cases, humans have a condition whereby we see patterns where there are none. We tend to fear randomness. There must be a reason why Joe got eaten by a shark, but Charlie became a wealthy CEO. Indeed, Joe may have gotten drunk and fallen into the shark tank at the aquarium, while Joe graduated summa cum laude from Harvard, but barring this, randomness just happens. This we can’t stand.
Perhaps the best teller of these mythological tales – stories where normal people just have very horrific things happen – has been Brian Keene. But pick Ray Garton, or Ed Lee, or Michael Laimo, or so many others. It is the basis of our modern horror story since Shirley Jackson taught us that horror is right next door.
Enter the Orang Minyak.

A 1958 poster with an earlier era's Orang MInyak
Allegedly one 2 AM morning in Kampung Laksamana in Gombak around 40 residents divided into groups armed with lights and sticks were searching their village for a so-called Orang Minyak (oily man).
In fact they believed that two paranormal creatures had scurried about for 10 days.
1. Some claim to have seen and heard the orang minyak
2. Others say the thing is clad only underwear drenched in black shiny oil.
3. Still others say (like Spring Heel Jack f ancient London) jumps from one roof to another and vanishes into thin air within seconds.
4. One man claims “It is tall, stocky and bald”, while another is “thin and curly haired”. “It was breathing really loudly, like a cow.’
The myth begins to expand by adding cultural ritual, “the orang minyak conducts its ritual of reciting jampi (mantra) and having an oil bath.”
Then a location is given. “the villagers stumbled across the spot after chasing the orang minyak into some bushes…”
Justification? “There was a large oil patch there”.
More detail is added from other random events “… the next night, they found a packet of fried rice and noodles at the very same spot… later the food was gone … eaten by the orang minyak.”
Then a deep myth connects to these various elements. Or more likely, spliced onto a legend. “According to popular legend, the orang minyak is a person who has undertaken the study of black magic and as a rite of passage, and has to rape a certain number of anak dara (virgins) to pass that course.” A sort of gang initiation, one supposes.
Then comes the fear. “The villagers are worried because almost every house in the neighbourhood houses a young girl.”
To reinforce the story, “a 17-year-old girl did not only see the orang minyak a few times, but also felt ‘someone” caressing her and calling her to go out of the house’.” This may have been a simple psychopompic nightmare, an incubus dream, but it has now been spliced into the deeper legend adds to the new mythological beast.
Then another arbitrary story is added. “It reportedly also locked the family members outside the house on Christmas eve”.
Then this addition, “We saw a black heap underneath the kitchen table. When other residents poked it with a bamboo stick, we could see blood stains … It then fled to a neighbour’s house.”
The fear was real. One villager left. Or did he? Maybe it was an FOAF (friend of a friend story, which can never be verified.) “Unfortunately, all attempts by Sunday Star to contact him were unsuccessful.”
Often a myth or ghost tale is negatively reinforced by a skeptical authority figure. “… some of these stories sound incredible and illogical … it is hard to find any Kampung Laksamana resident who doesn’t believe in it …”
It isn’t true, but since everyone believes it is a higher level of truth. “During the Christmas weekend, some 200 people patrolled the street …”
There we have within a matter of less than a month, not only a new myth created, but carried on a national wire service. Myths are some of the most primal and powerful stories humans have, and they spread like wildfire. However, when they land elsewhrere, they easily morph to fit the new culture.

a classic Malaysian television version
For at least 2500 years, the “ghostly hitchhiker” myth has persisted. In Roman days (and there may be a few cases in the Hebrew Bible and New Testament) the hitchhiker, usually a girl, was found on a cart. In the mid-19th century, trains often had mysterious people appear and disappear. Then in the automobile age, the modern classic appeared. A teen-aged girl standing by the roadside suddenly was in the back seat of the speeding car. Later this became very elaborate, whereby a girl appeared to a boy, who took her home. She would leave a sweater, or other very identifiable garment. Then, having fallen in love, tried to relocate the address and either a cemetery was now there with the girl’s name on a tombstone, or inside the home a mother would say, “Yes, that is my daughter’s sweater, but she has been dead many years.”
It is a small step from a mythic story to a horror story, so perhaps one day the Orang Minyak will star in a new horror novel?

Professor Jan Harold Brunvand of the Univ. of Utah has written many books. He often documents the "vanishing hitchhiker".
